This issue is our most multimodal collection to date, including our first slidecast essay (“The Quiet Country Closet”) and our first full audio essay (“Voices in Egypt”),
as well as a number of other essays that incorporate
images, video, and additional modes beyond
"As I reflect on my experiences with the Kinect’s depth data, it occurs to me that it is a “degree zero” for experimental work because the data is (in Deleuzian terms) an intensive form, pure potential."
"I think people should have this healthy worry that they’ll construct this elaborate argument and then somebody’s going to be able to just puncture it by saying 'wait a minute, here’s something you missed.'"